DVD : Women Loving Women


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DVD : Women Loving Women


  

Women Loving Women

starring: Pacific Media




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Audience Rating: Unrated
Binding: DVD
EAN: 0741319112120
Format: Color, DVD-Video, NTSC
Label: Pacific Media
Manufacturer: Pacific Media
Number Of Items: 1
Publisher: Pacific Media
Region Code: 1
Release Date: April 26, 2005
Running Time: 75 minutes
Studio: Pacific Media
Theatrical Release Date: 2005



Editorial Review:

Product Description:
Lovemaking techniques between women. Learn new and highly pleasuring ways to kiss, caress, gently touch, and actively extensive variety of techniques.









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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - What you see is what you get
This DVD is, as claimed, a celebration of Sapphic Love. The soundtrack, which is entirely music and narrative, is interrupted at the beginning of each segment for a quote from Sappho herself (in English translation).

The actresses were sexy, the sex was both tender and passionate, and it seemed to me that in most of the scenes, the two women were very open to each other. I'm sure a 17-year-old boy would definitely enjoy it; oh to be 17 again!

There was one review in which it was remarked that the actors were acting; it is almost self-evident that if a camera is present, only the shallowest of people can emote in complete sincerity. There was even an accusation that the women were not Lesbians. I hardly dare to point out that most women who feel able to star in a piece such as this are probably bisexual, at the very least. This cynical politicisation of video reviews helps neither heterosexuals nor homosexuals, men or women.



Rating: 4 out of 5 stars - It delivers what it promises, often to sizzling effect
The only problems I have with this often scorching production are 1) The image isn't QUITE as crisp as it could be, though it's definitely acceptable-to-good;

2) There is a relatively minimal amount of eye contact, smiles & words exchanged between most couples (although, twice removed that I am--as a man, & again as a viewer--I'm imagining all kinds of cues & interchanges may have been made between partners that are not overtly evident to me). Though it sometimes seems plausible, by the nature of their interactions, that some of the members of the (nine) couples may not have even met their partners before their sessions, most display SOME intimacy--above & beyond the sexual, obviously;

And 3) All we hear, following the somewhat dry, relatively brief instructive narratives from sexologist Dr. Patti Britton, is music--no sighs, cries or groans of ecstasy. Oh well. (These well-intentioned, helpful observations--some of which tiptoe over the edge from being sober, wise coaching, to becoming unintentionally a little funny, to me--are aimed at men, with the goal of making them better lovers.)

Despite these relatively minimal reservations, let me quickly add that much of what happens here is quite exciting! Most of the women are very attractive, some are downright gorgeous, & there is a feast of very well-filmed, utterly erotic encounters here that should leave anyone who is interested in this kind of play very satisfied. It may be of interest to note that, other than one partner usually taking the lead, there wasn't a lot of obvious (to me), clearly intended distinction made between butch & femme; virtually all of the women are quite feminine in appearance.

For the record, there's little silicone present, & of that, no one sports basketball-sized breasts.

There's a bonus, short photo gallery of stills, showcasing one other couple, but it's very tame compared to what we see in the main nine chapters.

All in all, highly recommended.



Rating: 2 out of 5 stars - not what it claims to be
WARNING: This is not an instructional video nor a guide to anything. It is a collection of scenes from porn films. The menu/commentary makes this clear by citing which films the scenes are from. One female couple after another engages in, frankly, unconvincing love scenes, and the unconvincing part has nothing to do with the fact that they're attractive actresses (lots of lesbians are attractive), it's because the scenes simply aren't that erotic. Okay, I'm no expert on lesbian sexuality, but I would be surprised to learn that any noticeable percentage of lesbians consider these accurate depictions of how women make love to other women. As a heterosexual male, I suppose no nude love scene between two women can be deemed a COMPLETE waste of time, but I sincerely wanted an instructional video. If I'd wanted a porn film, I'd have bought one.



Rating: 5 out of 5 stars - Delivers what you would hope it will
This is the best "sexology" DVD I've seen - no tedious "talking heads", no fake groans, just a brief voice-over at the start of each sequence commenting on the notable aspects of what will happen and then the action starts with two feminine women (there are different couples throughout) to an accompaniment of appropriate background music. Each sequence or chapter generally follows what you'd expect to be a natural progression, although the action is abbreviated a little from what it should take in reality - no doubt because of time constraints on a DVD - including explicit cunnilingus close-ups. There is a gallery bonus feature on the menu although this is just a slow slide slow of another couple. [...].



Rating: 1 out of 5 stars - Typical fake soft porn non-lesbian acting...
This is not "HOT" in my opinion, it is totally typical acting out soft porn type of sex scenes. This would appeal to a straight 17 year old male. The women are clearly not having "real" sex, they aren't even good at pretending that they're aroused. They aren't bad looking, they're just the usual cast of characters. No "real" lesbian would have such hideous fingernails (for obvious reasons) and have sex with such stand off and POSED positions. Boring. UGH, don't bother.




 





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Both sides in Kenya's disputed poll accuse the other of violence amid diplomatic efforts to curb the crisis.

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Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas

Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh

Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom Keogh

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Set in a frontier world of bonnets and one-room schoolhouses, Love's Enduring Promise follows a headstrong young teacher named Missie (January Jones, Bandits), the daughter of Clark and Marty Davis (Dale Midkiff and Katherine Heigl) from previous prairie romance Love Comes Softly. After Clark injures himself in a woodcutting accident, the family farm is in danger of failing--until a handsome young stranger (Logan Bartholomew) helps out. Missie finds herself drawn to this man, but the intelligence and graciousness of young railroad magnate (Mackenzie Austin, How to Deal) appeals to a side of her that yearns to go beyond the hills and valleys of her childhood. What could be romantic froth becomes a quiet, well-paced, and thoughtful love story, thanks to a solid script, capable performances, and clean direction. Jones is particularly engaging; Missie could have been blandly virtuous, but Jones draws a rich and subtle range of emotions out of her scenes. Religious viewers will appreciate the movie's commitment to wholesome storytelling and clear moral perspective. Love's Enduring Promise, like Love Comes Softly, is based on a novel by Christian writer Janet Oke, though Love's Enduring Promise departs more from its source. --Bret Fetzer
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What sounds like the high-concept romantic comedy pitch from hell--widower president falls for smart lobbyist while the world watches--is actually intelligent, charming, touching, and quite funny. Granted, it's wish fulfillment all the way (when was the last time you saw a president who was truly presidential?), but in the capable hands of writer Aaron Sorkin (TV's Sports Night) and director Rob Reiner, The American President is incredibly enjoyable entertainment with quite a few ideas about both romance and the government. Michael Douglas stars as the president, who after three years in office starts thinking about the possibility of dating. When he auspiciously encounters cutthroat environmental lobbyist Sydney Ellen Wade (Annette Bening), sparks begin to crackle and the two begin a tentative but heartfelt romance. Of course, his job gets in the way--their first kiss is interrupted by a Libyan bombing--but darn it if these two kids aren't going to try and make it work! However, they hadn't counted on the president's Republican antagonist (Richard Dreyfuss), who starts carping about family values. The predictable plot--Douglas finally goes to bat for his lady and his country--is leavened by Sorkin's wonderful, snappy dialogue and a light touch from the usually subtle-as-a-sledgehammer Reiner. Both manage to create a believable White House-office atmosphere (with a crack staff including Martin Sheen, Michael J. Fox, Anna Deavere Smith, and Samantha Mathis) as well as a plausible and funny dating scenario. The true success of the movie, though, rides squarely on Douglas and Bening; this is unequivocally Douglas's best comedic performance (ergo his best performance, period) and Bening, usually such a good bad girl, takes a standard career-woman role and fleshes it out magnificently. You can see in an instant why Douglas would fall for her. One of the best unsung romantic comedies of the '90s. --Mark Englehart

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The tagline emblazoned across the top of this latest WWF album's cover reads, "All New WWF Superstar Themes That Rock!" And on any compilation where songs by Limp Bizkit and Marilyn Manson are unremarkable for their fast pace and fury, it can be safely said that all of the songs do "rock!" Careful work has gone into matching songs to the performers, and the opportunity to listen to this album outside the context of WWF shows means that a fan can live the fantasy any time he chooses, all day long. Even Vince McMahon's theme strengthens the role he plays in the WWF's plot: Dope's "No Chance" talks in the first person about a stupidly angry boss, and connecting McMahon with this song is smart because everybody hates their boss on some level, and this song only reminds the listener of McMahon's part in the drama. Along with "No Chance," some of the other numbers on Forceable Entry are new covers or remixes of wrestlers' theme songs. Here, this generally means a new version with dirtier guitar work throughout it. This will only bother the listener if he was really attached to the original version of one of the themes, such as Chris Jericho's "Break the Walls Down" (Sevendust), or Undertaker's "Rollin'" (Limp Bizkit). Regardless, if you know the songs played upon the entrance of these wrestlers, then you know which themes you like and which ones you don't--and you know whether or not you need this album. --Mark Huntsman



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