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Dewey Decimal Number: 612.76 EAN: 9780486202044 ISBN: 0486202046 Label: Dover Publications Manufacturer: Dover Publications Number Of Items: 1 Number Of Pages: 390 Publication Date: June 01, 1955 Publisher: Dover Publications Studio: Dover Publications Editorial Review: Product Description: The 4,789 photographs in this definitive selection show the human figure — models almost all undraped — engaged in over 160 different types of action: running, climbing stairs, tumbling, dressing, undressing, hopping on one foot, dancing, etc. Children walking, crawling and many dozens of other activities. Related Items:      see moreAverage Rating:
 Rating:  - Too Small ?The text is on the lighter side. The volume is full of photos from front to back. They are all black and white with multiple shots on a line and multiple lines on a page. Each photo is a little on the small side. If you get the book to study the motion from frame to frame then you probably want something to help enlarge the page two-frames or more at a time. In my opinion the strongest point is that there are many different "tasks" sequenced using a variety of models by body-type, thoroughly illustrating "The Human Body in Motion". Rating:  - The Human Figure in MotionMuybridge's "The Human Figure in Motion" is a classic. The frame by frame photographs of figures (male, female, athletes, children) are vintage photos from the latter half of the 19th century. They document action: carrying objects, a man jumping, child crawling, etc, as well as activities common to the time that are not evident in everyday activity now, such as discus throwing, fencing, woman pouring water from a jug, etc. These photos, although small, are still of major importance to the artist who tries to understand muscle groups for drawing the figure. Great resource book. Rating:  - Good Historical Reference but poor Art ReferenceThis book is of historical interest and shows the genius of Muybridge. It comes practically without text and is simply Muybridge's photo album with lots and lots of images of naked men and women in action. However, to go beyond that and to take the book as an art reference to anatomy is simply a fallacy. The pictures are so small and the resolution so poor (understandably) that unless you are drawing stick figures, it is simply impossible to use as a reference. Rating:  - Muybridge's landmark photographic studies of human motionEadweard Muybridge (1830-1904) was the most significant contributor to the early study of human and animal locomotion, whose extensive studies were acknowledged by such pioneers of motion pictures as the Lumiere brothers and Thomas Edison. If you have ever seen slow-motion photography of a horse galloping and seen how they have all four hooves off the ground at the same time, then you can understand the fascination in the early days of photography of taking a series of pictures of people running, climbing stairs, or dancing. In fact, it was the horse that got Muybridge involved in this work. In 1872 Muybridge was enlisted to settle bet regarding the position of a trotting horse's legs. But using a camera with the fastest shutter speed available only provided a faint image. Five years later Muybridge used a battery of cameras with mechanically tripped shutters to show the what really happens (in fact, a trotting horse and a galloping horse move differently in having all four hooves off the ground simultaneously). Consequently, Muybridge invented the zoopraxiscope, a primitive motion-picture machine, which recreated movement by displaying individual photographs in rapid succession. "The Human Figure in Motion" was first published in 1901 and reflects the work Muybridge did at the University of Pennsylvania, where he had been invited to work at the behest of the painting Thomas Eakins, who painted motion subjects, which explains why art students are even more interested in this book than scientists. Includes are over 160 motion studies of the human figure engaged in everything from dressing to hopping on one foot. There are almost 5,000 photographs in this 390 page clothbound edition. Be warned that most of the models, both adults and children, are "undraped" to use the vernacular of the time. In 1887 Muybridges's most important work, "Animal Locomotion," was published in 11 volumes containing over 100,000 photographs taken between 1872 and 1885. Obviously, "The Human Figure in Motion" is a more accessible way to appreciate Muybridge's groundbreaking work. Rating: - don't trust whiteyThis book is great if you don't plan on drawing from it. although the pictures are nice ,contrasty black and whites they are small and repetitive. But what do I know? alot of obscure movie quotes. |
In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley
On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pithy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.
The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley
Beyond Pirates of the Caribbean: At World’s End
 Our Pirates of the Caribbean Store |  Pirates of the Caribbean: Curse of the Black Pearl |  Pirates of the Caribbean: Dead Man’s Chest |
 Pirates of the Caribbean: At World’s End Soundtrack |  Why We Love… Bill Nighy |  Johnny Depp Essential DVDs |
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In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley
In the previous Dead Man's Chest, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions of himself on the deck of the Black Pearl. But Sparrow is needed in this world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley
