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Finding God Through Sex: Awakening the One of Spirit Through the Two of Flesh

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by: David Deida


May 01, 2005

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He's Just Not Up for It Anymore: Why Men Stop Having Sex, and What You Can Do About It

 out of 5 stars

by: Bob Berkowitz, Susan Yager-Berkowitz


December 26, 2007

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The Illustrated Guide to Extended Massive Orgasm (Positively Sexual)

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by: Steve Bodansky, Vera Bodansky


June 12, 2002

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The Master's Manual: A Handbook of Erotic Dominance

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by: Jack Rinella


1994-08

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The Cosmo Kama Sutra: 77 Mind-Blowing Sex Positions (Cosmopolitan)

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by: The Editors of Cosmopolitan


2004-12

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Erotic Edge: 2Erotica for Couples

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by: Lonnie Barbach


May 01, 1994


Male Chastity: A Guide for Keyholders

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by: Lucy Fairbourne


July 19, 2007

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The Cookie Sutra: An Ancient Treatise: that Love Shall Never Grow Stale. Nor Crumble.

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by: Edward Jaye


July 02, 2005

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How To Seduce A Man And Keep Him Seduced

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by: Laurie Sue Brockway


December 01, 2000

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Pleasure: A Woman's Guide to Getting the Sex You Want, Need and Deserve

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by: Hilda Hutcherson


October 03, 2006

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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.




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by Dolly Parton, Judith Sutton
$6.99

Average customer rating: 5.0 ISBN: 0064434478
The rolling hills of Tennessee farmland, framed in lovely patchwork quilt patterns, set the stage for Dolly Parton's (of Grand Ol' Opry fame) warm childhood memories. The text comes directly from Parton's autobiographical hit country and western song of the same name. Perhaps the grammar is imperfect, but what C&W song ain't rife with grammatical errors--it's part of the vernacular. The story centers on a poor, but happy and loving, family (yes, they do exist) who find clever ways to deal with their poverty. As winter approaches, Mama sews a coat for her daughter from a box of scraps that someone has given her. Of course her classmates make fun of her for having a coat made of rags. But sticks and stones... "And although we had no money / I was rich as I could be / in my coat of many colors / that Mama made for me." That doesn't mean the child's feelings aren't hurt, or that she didn't feel angry. But the message comes through loud and clear (like Parton's voice): the child's mother has provided her with the strength to deal with other children's jeers, and family love can sometimes be enough to pull a person through.

by Dolly Parton

Average customer rating: 4.5 ISBN: 0061092363

by Willadeene Parton, Dolly Parton

Average customer rating: 4.5 ISBN: 1558534040
$39.99



The trend toward interactive video games—with an emphasis on "active"—is a welcome one for parents and kids alike. Play TV Baseball 3 is an updated version of the earlier version of the virtual reality game, with loads of realistic touches that will have baseball fans jumping off the sidelines and into the game. Simply plug the base into your TV or VCR, pick up the wireless bat, and play ball! Play against a friend or choose from one of 12 teams. Rules are the same as regular baseball, whether you’re at the plate, on the mound, or in the field: swing away for a home run, lay down a bunt to advance base runners, steal a base, strike out the batter with six different pitches (fastball, curve, screwball, slider, splitter, or change up), or field the ball and choose which base runner to throw out—or maybe you’ll turn a double play! Entertaining music and commentary included. Games need never be called on account of rain again! For 1 to 4 players. Six AA batteries required (not included). --Emilie Coulter
$9.97



This decade-spanning compilation charts the singer-dancer-actress's transformation from rebellious teenager to sexy diva, along the way check-listing major hits like "Nasty," "Miss You Much," "What Have You Done for Me Lately?" and "Rhythm Nation." Two new tracks bookend the set, but even the older material--most of it helmed by writer-producers Jimmy Jam and Terry Lewis--holds up remarkably well. --Courtney Kemp
$9.97



Why is Janet Jackson's Janet the best Michael Jackson album since Thriller and the best Madonna album since..., well, since ever? Perhaps it's because Michael's kid sister is the only one of these three aerobic video stars with enough smarts to realize that sex, hooks, and beats are all that matter in this field of lightweight dance pop. Or perhaps it's because the sexuality Janet radiates through her sweet melodies and hip-tugging grooves is so much more credible than Michael's arrested prepubescence or Madonna's nothing-personal-just-business comeons. After her embarrassing posture as a sociocultural analyst on 1989's Rhythm Nation 1814, Janet has returned to her strength--using her odd mix of girlishness and maturity to make dance numbers about personal relationships ring exceptionally true. Even so, the 75-minute, 27-track Janet doesn't really work as an album; there's too much filler and the between-song transitions quickly grow tiresome. The album is full of killer singles, though, starting with such proven cuts as the extremely slinky "That's the Way Love Goes" and rock-guitar-driven "If," and featuring such future hits as the Prince-like "This Time," the Motown-like "Because of Love," the breathy ballad "Where Are You Now" and the inspired Stax cover, "What'll I Do. --Geoffrey Himes
$7.97



Picking up where the breakthrough funk-pop of Control left off, Janet Jackson and her production team of Jimmy Jam and Terry Lewis laced Rhythm Nation with high-minded references to societal ills--seldom the favored province of dance music, but a daring attempt nonetheless. Songs like "State of the World" and "The Knowledge" follow in the tradition of "free your mind and your ass will follow." Still, aside from the title track, it was the pure pop fare and dance music that stormed the charts: "Escapade," "Love Will Never Do (Without You)," "Alright," and "Come Back to Me" concentrate on the politics of personal relationships, not public policy, while "Black Cat" burns the place down with a fierce burst of hard rock. Rhythm Nation 1814 doesn't necessarily hang together thematically, but it's so chock full of hits, you scarcely notice. --Daniel Durchholz



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