DVD : The Educational Archives, Vol. 1 - Sex & Drugs


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DVD : The Educational Archives, Vol. 1 - Sex & Drugs


  

The Educational Archives, Vol. 1 - Sex & Drugs

starring: Educational Archives 1: Sex & Drugs








Aspect Ratio: 1.33:1
Audience Rating: NR (Not Rated)
Binding: DVD
EAN: 0014381126020
Format: Black & White, Color, DVD-Video, NTSC
Label: Fantoma
Manufacturer: Fantoma
Number Of Items: 1
Publisher: Fantoma
Region Code: 1
Release Date: November 06, 2001
Running Time: 120 minutes
Studio: Fantoma
Theatrical Release Date: 2001



Editorial Review:

Description:
Generations of American children sat in dark classrooms and absorbed wisdom in the form of 16mm educational and social guidance films. Through the flicker of dim projector bulbs and the warble of optical soundtracks, a blueprint for better living in the Atomic Age was spelled out in no uncertain terms. Fantoma is proud to present the first two volumes in our new series of educational ephemera. It's all here, from the etiquette do's and don'ts shorts of the 1950's to the anti-drug hysteria films of the 1960's, making the world a safe, clean, and polite place once again. In Volume 1, learn all about the dangers of marijuana, the perils of heavy petting, the difference between boys and girls, and the joys of menstruation. Films include: Innocent Party, LSD: Case Study, Narcotics: Pit of Despair, Social-Sex Attitudes in Adolescence.Historical notes on each film by collection curator Skip Elsheimer of A/V Geeks; Bonus interactive filmstrips









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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Hilarious

This film is meant to be humorous, as are the others in this series. 'Educational' customers who have a gripe because it's not 'useful' ought to read the description before purchasing. You have to watch this, unless you are totally lacking a sense of humor about drug and sex propaganda (and appallingly, those people STILL exist).



Rating: 5 out of 5 stars - The Big Kick In The Head
What makes these films so enjoyable for me is that when they were made,they were intended as dead serious educational material.HA!Maybe that's why they're so facinating now or,at the very worst,surreal fodder.Some films are hilerious and laughable,such as a case study on LSD in which a girl trips that a hot dog turns into a troll.Others are just bizzare-such as Sonny Bono trying to make clear the good and bad about marijuana even while he behaves as if he himself is stoned.A couple of the films are rather dull such as the boring classroom instructional 'Human Growth' and some are actually pretty serious warnings about the dangers of syphillis and sex education for mentally challaged adults.And not to be missed is 50's movie star Sal Mineo's bizzare song at the end of the
smug 'LSD-Insight Or Insanity'.These are really fun if your looking for a good laugh at the absurdity of youth education of the day,or if your just into weird propaganda.



Rating: 5 out of 5 stars - Blast Off For Kicksville...
The Educational Archives and Fantoma have produced a real gem here. This is seriously one of the most hilarious things I have ever seen. Some people actually doubt the validity of these archival 16mm prints due to their outlandish and ridiculously amusing nature. Even if you don't like drugs, you can not help from laughing at these amazing filmstrips. My personal faves are the Lockhead-Martin produced educational shorts (containing cool oil lamp visuals, beatnik-speak, and groovy music) espousing the dangers of LSD, amphetamines, heroin, and barbituates. The hipster slang in some of these shorts is incredible. The insightful film about Marijuana, narrated by Sonny Bono is a scream, as Sonny looks glorious in his gold jump suit and glazed eyes. 'Sex-Ed for Trainables' must be seen to be believed. This DVD never ceases to amuse me or my friends. Everyone who has watched this baby has found it to be completly hilarious. I have seen all of the other 'Educational Archive' DVDs, and this one takes the cake. There's a reason this is Volume 1. These short films range in date from the late 40's thru the early 70's. If you are a fan of the quirky, kitchy, or strange, you will love this. If you don't have a sense of humor, you may not (but I don't care about you). It's hard to believe that these shorts were shown to the youth in an attempt to scare them from doing drugs. If anything, these filmstrips make one want to experiment (especially the Amphetamine short). This DVD is highly reccomended to those seeking kicks. Don' be a square and cop this now, Daddy-O



Rating: 5 out of 5 stars - good Series
I remember watching the sony bono one way back when, and at the time, as I still do, saw it more as a "pro" pot film and thought and still think that Sony HAD to do this film and I truly belive he had a couple puffs before doing this. My Mom remembers the it's wonderful being a girl segemant, and we both giggled and laughed at the early attempts at explaing "womanhood"

I started laughing about halfway through the LSD one and stopped when it ended. I know full well it was supposed to be educational and taken seriously, but how many of you guys out there would have taken it that way, or know how many kids today would pay attetion? =)



Rating: 5 out of 5 stars - Woo-Hoo ...!
I worked in Antarctica for seven months, and for some reason we had this dvd in our library at the station. We watched it about once a week. It's a riot. "Trainables" is one of the oddest pieces of "film" I have ever seen. Why have the huge close-ups of the presenter when he's got a horribly pock-marked face?

It's a fun ride. Good to see some early Kevin Teague before Emergency and Road House.




 





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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

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Stephen Sondheim's Victorian horror thriller Sweeney Todd: The Demon Barber of Fleet Street is generally considered his greatest work, macabre but darkly humorous with a viscerally powerful score that has found a home both on Broadway and in opera houses. George Hearn (who replaced Len Cariou of the original Broadway cast) plays the title character, a wronged man whose lust for revenge drives him to murder (an 18th-century legend who has been traced to a real-life barber), and Angela Lansbury plays his partner in crime, Mrs. Lovett, who finds a practical business use for Todd's victims. This combination of horror and humor is echoed in Sondheim's score: brooding menace ("The Ballad of Sweeney Todd," "My Friend"), achingly beautiful ballads ("Johanna," "Not While I'm Around"), clever puns ("A Little Priest"), coloratura arias ("Green Finch and Linnet Bird"), and intricate choral and ensemble numbers.

Continuing a fortuitous tradition of capturing the Sondheim legacy on video recordings, this performance was filmed before a live audience in Los Angeles during the 1982 national tour. Almost 20 years later, Hearn returned to the role opposite Patti LuPone in an acclaimed concert production. But Sweeney Todd is an especially compelling experience in this 1982 version, complete with the clever staging tricks (e.g., the barber's chair) and as close to the original cast as we're likely to see. --David Horiuchi

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A guilty, guilty pleasure, perhaps not one a left-wing feminist should be admitting to in public. Female boomers should recall yearly TV reruns of this Rodgers and Hammerstein production, featuring such delights as "Impossible" and "Do I Love You Because You're Beautiful?" It may appear a bit stark to younger viewers, but part of the charm of this 1964 network TV special, a remake of the live 1957 telecast originally built around Julie Andrews, is its utter simplicity. An extremely young Lesley Ann Warren and Stuart Damon (of General Hospital fame) are joined by Ginger Rogers, Walter Pidgeon, and Celeste Holm. Warren is all sweetness and innocence without a hint of saccharine artificiality, while Damon is a clear-eyed romantic. This very handsome love story is a bit of an oddity, but worth owning just for the memorable score. --Rochelle O'Gorman
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John Waters made his bid for PG respectability with this enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. (Waters himself turns up as a weirdo psychiatrist.) This transitional film for Waters is rough going at times and not as interesting or funny as his later features Cry-Baby and Serial Mom, but it's worth a look. --Tom Keogh

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Martina McBride has long been a champion of music as social consciousness, particularly for abused women ("Independence Day") and children. On Waking Up Laughing, her ninth album and the follow-up to Timeless, her platinum-selling album of country classics, she advances the theme while expanding it. While two songs explore the issue of unwed mothers (particularly the exquisite "Love Land," which closes the album), and another, "Beautiful Again," touches on child sexual abuse, her overall repertoire embraces the wholeness of family, and of standing strong together in the face of adversity and defeat. Musically, McBride has always proved to be an elegant thorn--her song selection is often inspired (and here, she co-wrote three tunes, including the skyscraping single "Anyway"), but she has tended to use her huge, ride-the-wave soprano full-tilt, without employing the subtle shadings that would make her even more emotionally resonant. On Waking Up Laughing she seems to have worked on the problem, yet in her second foray as solo producer, she still tends to gild the lily instrumentally--inflating string bridges between choruses, for example, or loading the opening country-pop track, "If I Had Your Name," with a Southern-rock guitar break, a listen-to-me fiddle showcase, a Celtic guitar intro, and a close that brings to mind George Harrison's sitar in play-it-backward mode. That said, she makes fine use of what sounds like a black female choir on the uplifting "For These Times," and wisely keeps the haunting break-up ballad "Tryin' to Find a Reason" (with Keith Urban's harmony vocals and guitar solo) lean and affecting. As McBride works to refine her pastiche of creativity, commerciality, and social awareness, she slyly takes more chances than one might think, all the while rallying old fans and making new ones. --Alanna Nash
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For right-minded buyers of the reissued Muppet Christmas Carol soundtrack, the odds of disappointment are about as remote as Miss Piggy's chances with Kermit. If you loved the movie, you will love the loopy mayhem of the Muppet Brass Buskers ("Good King Wenceslas"), the cartoonish malice of the black-hearted misanthropes Marley & Marley ("Marley & Marley"), and the hope-swollen harmonies of Tiny Tim and Family ("Bless Us All"), Muppeted here to hilariously humble effect. If, on the other hand, your interest in this disc has more to do with its inclusion in the way-narrow Christmas-record-for-kids category--if the spirit of the season doesn't extend, for you, to the magic of the Muppets--you may want to keep browsing, as it's a soundtrack first (overture, instrumentals, and all) and a Christmas CD second. That's not to suggest you're stuck with an un-fun disc should it land on your holiday stack without a prior screening, though. Miles Goodman's score sweeps and inspires, and certain tracks--"One More Sleep 'til Christmas" and "Fozziwig's Party"--are future classics. (Note to the right-minded: After a misstep on the original release, Martina McBride's version of "When Love is Gone" is back.) -Tammy La Gorce



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