Books : sTORI Telling


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Books : sTORI Telling


  

sTORI Telling

by: Tori Spelling




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Binding: Hardcover
Dewey Decimal Number: 791.45028092
EAN: 9781416950738
ISBN: 1416950737
Label: Simon Spotlight
Manufacturer: Simon Spotlight
Number Of Items: 1
Number Of Pages: 288
Publication Date: March 11, 2008
Publisher: Simon Spotlight
Studio: Simon Spotlight



Editorial Review:

Product Description:

Tori Spelling Reads Her Fabulous #1 New York Times Bestseller

She was television's most famous virgin -- and, as Aaron Spelling's daughter, arguably its most famous case of nepotism. Portraying Donna Martin of Beverly Hills 90210, Tori Spelling became one of the most recognizable young actresses of her generation, with a not-so-private personal life every bit as fascinating as her character's exploits. Yet years later the name Tori Spelling too often closed -- and sometimes slammed -- the same doors it had opened.

sTORI telling is Tori's chance to finally tell her side of the tabloid-worthy life she's led, and she talks about it all: her decadent childhood birthday parties, her nose job, her fairy-tale wedding to the wrong man, her so-called feud with her mother. Tori has already revealed her flair for brilliant, self-effacing satire on her VH1 show So NoTORIous and Oxygen's Tori & Dean: Inn Love, but her memoir goes deeper, into the real life behind the rumors: her complicated relationship with her parents; her struggles as an actress after 90210; her accident-prone love life; and, ultimately, her quest to define herself on her own terms.

From her over-the-top first wedding to finding new love to her much-publicized -- and misunderstood -- 'disinheritance,' sTORI telling is a juicy, eye-opening, enthralling look at what it really means to be Tori Spelling.

Amazon.com Review:
She was television's most famous virgin--and, as Aaron Spelling's daughter, arguably its most famous case of nepotism. Portraying Donna Martin on Beverly Hills, 90210, Tori Spelling became one of the most recognizable young actresses of her generation, with a not-so-private personal life every bit as fascinating as her character's exploits. Yet years later the name Tori Spelling too often closed--and sometimes slammed--the same doors it had opened.

sTORI Telling is Tori's chance to finally tell her side of the tabloid-worthy life she's led, and she talks about it all: her decadent childhood birthday parties, her nose job, her fairy-tale wedding to the wrong man, her so-called feud with her mother. Tori has already revealed her flair for brilliant, self-effacing satire on her VH1 show So NoTORIous and Oxygen's Tori & Dean: Inn Love, but her memoir goes deeper, into the real life behind the rumors: her complicated relationship with her parents; her struggles as an actress after 90210; her accident-prone love life; and, ultimately, her quest to define herself on her own terms.

From her over-the-top first wedding to finding new love to her much-publicized--and misunderstood--'disinheritance,' sTORI Telling is a juicy, eye-opening, enthralling look at what it really means to be Tori Spelling.



Amazon.com Exclusive
A Bonus Story and Family Photo from Tori Spelling

The Manor
People are always asking about my parents' mansion, which they called the 'Manor,' but I don't really spend much time talking about it in sTORI Telling because I didn't grow up there. After demolishing Bing Crosby's former estate in Holmby Hills, a fancy neighborhood in west L.A., they spent six years building the Manor. It's about 46,000 square feet (slightly over an acre) and has 123 rooms. Not that I counted or measured. I got those figures from the press, just like everyone else.

Anyway, we moved in when I was seventeen and I only lived there for two years. In some ways the house is like a normal house, but everything is on a bigger scale. It has four floors: the basement (which we call the 'Lower Level,' probably because that's its designation on the elevator) and the first, second, and third floors. The first floor has a kitchen, a breakfast room, a dining room, an office, a family room, a living room, and a projection room. There's a grand foyer with sweeping staircases on each side. Oh, and there's also a guards' room and the staff dining room. Everyone except fancy guests comes through the service entrance into a hallway with the guards' room and the kitchen.

The kitchen is gigantic, and my fondest memory of it is from when I was twenty-one and had just moved back in after splitting up with a boyfriend. I came home drunk with some girlfriends, and we pillaged the two double-sized Sub-Zero refrigerators. There was always bulk food in there for the staff. We pulled out a big vat of chicken salad and a tub of peanut dressing, both of which looked like they'd been made for giants. Somewhere in the middle of our feast we decided to have a food fight, and the five of us started flinging food at each other. Soon we were covered in peanut dressing from head to toe and the pristine kitchen was a mess. Then we heard a ding, the elevator doors opened, and there was my mother.

She stared at us in silent disbelief. I said, 'We're going to clean it up!' She just said, 'Mmm hmm,' and left the room. I felt a surge of love for her in that moment. It took us hours to clean the kitchen, but it was worth it. That moment made it feel, for once, like home. --Tori Spelling











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Customer Reviews
Average Rating:  out of 5 stars

Rating: 1 out of 5 stars - Not very good
This book is okay. Although I thought it made Ms. Spelling appear to be a self-absorbed narcissist who is completely out of touch with the real world. She spends an inordinate amount of time talking up her "accomplishments" and trying to dispel the perception that her success is directly attributable to her family ties. Additionally, the constant complaints she lodges about her life and her overwhelming desire to be "normal" has the unintended effect of justifying the fact that she really is a "poor little rich girl." Overall, the book is irritating, shallow and confirms exactly what it tries so hard to dispel.



Rating: 5 out of 5 stars - Such a dishin hot book
I loved this book. It was full of life and dished a lot about things that were close to her heart...she shared a part of her heart fans can't see just looking from a far. I could relate...after all we are ALL human and we all have these type of things come up in our lives just not so wordly known. Read the book and you'll see all you never could.



Rating: 5 out of 5 stars - She's so normal....
This was a great book. I never knew the 'other' side of Tori. I never pictured her to be so down to earth and 'normal'. She is not into fame like she is perceived. I never really like her on 90210, but after watching her reality show and reading this book, I see her being the typical girl next door. I would recommend this book to all women.



Rating: 4 out of 5 stars - A surprisingly delightful read...
I purchased this book for my Kindle on a whim in an airport. I was neither a Tori Spelling fan - nor a Tori Spelling hater - and although I used to watch 90210 years ago and caught a few episodes of Tori and Dean: Inn Love, I honestly can't say I would have ever thought about Tori Spelling again except that this book popped up on the Kindle list, and I was in a rush to get on the plane and buy a book to read during the flight.

And yet when I started reading this book, I quickly became intrigued by this delightfully refreshing story about the real life of someone we thought we "knew" from endless magazine articles and TMZ clips, but who is actually quite different. This book clearly shows that not everything is at it appears; that money alone cannot buy happiness; that celebrities struggle with many of the same issues we "regular" people do; and that life can be complicated whether you live in Beverly Hills or Beverly, Massachusetts.

The writing style is very conversational and easy to read, and Tori is humorous, self-reflective, honest (even when it doesn't paint her in a good light) and humble. She does not point fingers at others (like her mom) without also recognizing her own faults and mistakes. I honestly can't say I have ever read another autobiography that seemed so real and balanced.

I read the book very quickly and was so glad that I happened upon this little find. It is not a great work of literature, but it certainly was a pleasure to read on my trip, and I leave the book feeling like I have a better understanding of the story behind Tori, and a better attitude towards the "rich and famous," whose lives are probably not as perfect as they seem from the outside.





Rating: 5 out of 5 stars - stori telling
easy reading but enjoyable. had some good insights that i can use in my uwn life.




 





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A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer
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Fans of Oliver Stone's J.F.K. will recognize the opening moments of writer-director Eugene Jarecki's Why We Fight, in which outgoing President Dwight Eisenhower warns of the pernicious and growing influence of what he called the "military-industrial complex." But Stone's movie, which uses the same footage, was a work of fiction. While those who disagree with the decidedly leftist point of view in this documentary will probably consider it the product of paranoid liberal fantasy as well, there's enough credible material, much of it supplied by the targets of Jarecki's criticisms, to make Eisenhower look like a prophet and everyone else uneasy about the dark confluence of politics, money, and war that controls the country's fortunes. The message here is that while there may be some who sincerely believe that America's various military engagements (in Iraq, Vietnam, Grenada, Panama, and elsewhere) since World War II are the product of our God-given duty to spread freedom and halt the influence of evil ideologies around the world, the real reason we fight is that war is good business. This is hardly a bulletin; anyone who is surprised by allegations that politicians pander to defense contractors, or that Vice President Dick Cheney helped secure huge deals for Halliburton, the company he formerly headed, simply hasn't been paying attention (Politicians lie? How shocking!). In fact, the principal drawback to Jarecki's film is simply that there's nothing particularly revelatory or compelling about it. Only when he takes a personal approach does he go beyond the obvious; the story of a retired New York policeman and former Vietnam veteran whose son died in the World Trade Center, who wanted revenge, but who became seriously disillusioned when Bush admitted that the war in Iraq had nothing to do with 9/11, adds some much needed human interest. Still, Why We Fight, which includes a director's audio commentary track and a few other bonus features, serves as a grim reminder that the world's most powerful nation has strayed far from the principles of our founding fathers, a development that does not bode well for America's future. --Sam Graham

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In her snowy home state of Utah, Marie Osmond serves up a warm cup of holiday cheer with Marie Osmond's Merry Christmas, her very first Christmas special. Mixing traditional songs and carols with modern melodies, Marie presents a sentimental hourlong program (originally aired on television in 1989), blending music with short sketches. The show features Kirk Cameron, then-teen heartthrob on Growing Pains; Candace Cameron, his sister and star of Full House; country singer Lee Greenwood; Sally Struthers and daughter Samantha, ice dancers Judy Blumberg and Michael Siebert, and the Osmond Boys.

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Marie has a good, strong voice, but many of the songs are overproduced and melodramatic. This, most likely, is a product of the big, pouffy '80s (her hair and outfits are also bigger-than-life) rather than a reflection of her talents. The closing number, "O Holy Night," sung by Marie alone, is quite lovely. --Dana Van Nest

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