Books : Light Revealing Architecture


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Books : Light Revealing Architecture


  

Light Revealing Architecture

by: Marietta S. Millet








Binding: Hardcover
Dewey Decimal Number: 729.28
EAN: 9780442018870
ISBN: 0442018878
Label: Van Nostrand Reinhold
Manufacturer: Van Nostrand Reinhold
Number Of Items: 1
Number Of Pages: 183
Publication Date: 1996-02
Publisher: Van Nostrand Reinhold
Studio: Van Nostrand Reinhold



Editorial Review:

Product Description:
'The extraordinary range of architecture [presented by Millet] coupled with the author's lucid presentation of light as a rich and evocative part of design is central to what architects do, or ought to. This book fills a vast need for the design profession.' -- M. Susan Ubbelohde, University of California, Berkeley 'Marietta Millet takes us through ancient and contemporary buildings in a manner knowing and gracious, with a combination of universal principles and local details that informs and delights. This book will be a splendid contribution to the literature on lighting.' -- John S. Reynolds, University of Oregon Published By John Wiley and Sons, Inc.









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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - does everything right
This book is great. Nearly everything about it is clear, concise, informative, and inspiring.

The format is worth mentioning because the author does everything right. Each chapter is dedicated to a single principle of lighting design, and is immediately followed by a case study that beautifully illustrates that same principle. Also, whenever the text mentions a particular building or room - there is always a lovely and appropriate photograph of that very same room or building RIGHT ON THE VERY SAME PAGE. This is a rare example of a well-concieved and thoughtfully executed book on architecture.



Rating: 5 out of 5 stars - A very EN"LIGHT"ENING book!
Any spatial experience is intimately connected with the experience of light. The author has very articulately described this phenomena in architecture, using four major themes - where light helps with a physiological EXPERIENCE, gives a building FORM, defines and enhances SPACE, and thus gives it MEANING. This is an excellent book, well written and has a good association with all aspects of lighting, studied and explained with the help of a wide range of buildings and architecture. It makes a very strong (and convincing) argument, for all designers to pay attention to the importance of light while planning and designing their spaces or buildings.




 





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You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam Graham
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The teaming of Johnny Knoxville (Jackass: The Movie) and Seann William Scott (Dude, Where's My Car?) as well as the presence of the '70s-flavored car chases that were a specialty of the TV series guarantees that The Dukes of Hazzard will be even more lowbrow than the CBS TV series (1979-85) that inspired it. However, this brain-damaging comedy is more "rehash" than "remake," as good ol' Georgiaboys Luke Duke (Knoxville) and his cousin Bo (Scott) are frequently upstaged bythe General Lee, the Confederate-flagged '69 Charger that they drive, jump, race, and fly in as they smuggle moonshine for their Uncle Jesse (Willie Nelson). Meanwhile, cousin Daisy Duke (Jessica Simpson) is reliably available to model her short-shorts (aka "Daisy Dukes") and awesome figure (and let's face it, Simpson's talents pretty much begin and end right there), while corrupt honcho Boss Hogg (Burt Reynolds, who should know better) recruits a local NASCAR star to advance his wily scheme of converting Hazzard County into a strip mine. Director Jay Chandrasekhar (Super Troopers) manages to mine some good-natured humor from the movie's oval-track detour and a few colorful supporting players (notably Kevin Hefferman as the Duke's pal Sheev). Otherwise, consider yourself warned: The Dukes of Hazzard is shameless Hollywood product at its most forgettable, trafficking in shameless white, rural Southern stereotypes. If you can make itto the end, there's a blooper reel to reward your endurance. --Jeff Shannon

DVD features
Yes, the unrated edition of The Dukes of Hazzard has nudity... but no, it's not of Jessica Simpson, but topless sorority girls. There are also two sets--"PG-13" and "unrated"--of deleted scenes and bloopers. The four minutes of unrated deleted scenes (supplementing the 25 minutes of "PG-13" deleted scenes) include more sorority girls and a menage à trois for Johnny Knoxville . The five minutes of unrated bloopers (the same amount as the "PG-13" bloopers) feature a few more girls but mostly bad language. Featurettes discuss the Daisy Duke short shorts (and show how you can make your own), car stunts, and the making of the movie (narrated by a cast member of the original TV series). --David Horiuchi


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