Books : Lady Chatterley's lover


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Books : Lady Chatterley's lover


  

Lady Chatterley's lover

by: D. H Lawrence








Binding: Unknown Binding
Label: Shanghai Commercial Press
Manufacturer: Shanghai Commercial Press
Number Of Pages: 417
Publication Date: 1928
Publisher: Shanghai Commercial Press
Studio: Shanghai Commercial Press



Editorial Review:

Product Description:
Here is Lawrence's most famous work as he originally wrote it, restored with scholarly diligence and including 'A Propos of Lady Chatterly's Lover,' Lawrence's final thoughts on the male-female relationship in the modern world.

Amazon.com Review:
Perhaps the most famous of Lawrence's novels, the 1928 Lady Chatterley's Lover is no longer distinguished for the once-shockingly explicit treatment of its subject matter--the adulterous affair between a sexually unfulfilled upper-class married woman and the game keeper who works for the estate owned by her wheelchaired husband. Now that we're used to reading about sex, and seeing it in the movies, it's apparent that the novel is memorable for better reasons: namely, that Lawrence was a masterful and lyrical writer, whose story takes us bodily into the world of its characters.









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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - Still works
I have to admit I've missed this classic for too long. Still holds up and works for today's audience.



Rating: 4 out of 5 stars - Love in the Void
"Lady Chatterly's Lover" is one of the most (brutally) honest portrayals of love and intimacy in 20th century literature. Turning away from the flowery and the poetic sentiments of many other writers, Lawrence completely de-romanticizes romance and shows it as something visceral and almost beastial. Written during the span between the first and second World Wars, when industrialization and mechanization seemed to threaten the essence of humanity, Constance Chatterly can, I think, be seen as an Every-Wo/man character searching for intimacy in a society that was increasingly cold and cerebral. Is it possible to love someone when you are alienated from everyone around you? Can you feel passion when you are nothing more than a cog in the gears of some great machine? These are the central questions asked by Lawrence in this novel and of course they are still relevant today.

While "Chatterly" may not be considered Lawrence's best work, it is still a great book and definitely worth reading. Of course, this novel has flaws - notably the characterization of Mellors, and also the very abrupt ending - but Lawrence's beautiful language (minus the various 4 letter words that appear throughout the text) and his keen understanding of humanity make this work really great. Read this book and consider the romantic relationships in your life and I'm sure you will have a lot to think about.



Rating: 5 out of 5 stars - Incandescent. Perfect.
"She saw the clumsy breeches slipping down over the pure, delicate, white loins, the bones showing a little, and the sense of aloneness, of a creature purely alone, overwhelmed her. Perfect, white, solitary nudity of a creature that lives alone, and inwardly alone. And beyond that, a certain beauty of a pure creature. Not the stuff of beauty, not even the body of beauty, but a lambency, the warm, white flame of a single life, revealing itself in contours that one might touch: a body!"

Oh...my...God!!! Speechless, stunned, drooling, floored.



Rating: 3 out of 5 stars - Mixed feelings on this one...
On the whole, I would say that this book is considered a classic mostly because of its legendary troubles with the censors. Don't get me wrong - it was an alright book, interesting enough to hold my attention for the most part. However, I don't think that I'll be recommending it any time soon.

First off, I agree with the other commenters about Lawrence's basic lack of knowledge about female anatomy. My god. It's as if there's nothing at all that Clifford could have done for Connie. And apparently Connie is (in Lawrence's eyes) the apex of womanhood because she's one of the (very) few who can reach climax without any clitoral stimulation. Jesus christ, this isn't a book about sex. It's a book about misinformation!

Aside from that, what do we have?

We have Connie, who's barely sympathetic as a protagonist. I'd put her somewhere between Emma Bovary and Anna Karenina on the sympathy scale. On the one hand, who can't sympathize with her situation? She's trapped in an essentially joyless life. On the other hand, she's also a terrible snob. Witness the way that she looks down on the people of Tevershall - "Oh, everything is good and beautiful in Ye Olde English Woode where I screw my husband's gamekeeper, but that dirty dirty little town with all those hunched-over people who work for a living... how disgusting!"

And then we've got Mellors, who, quite frankly, I found kinda annoying. Is it just me, or does he come off as somewhat mentally deficient? Whenever he lapsed into "broad," I always imagined him talking like some kind of Scottish version of Cookie Monster.

And the ranting, oh my god, the ranting. Ok, Lawrence, we GET IT. Mellors is supposed to be the Man O' The Woods. The Green Man. The Great Horned God. Pan. But did you really have to spell it out for us in heavy handed sermons before and after every sex scene? Couldn't you have left just a little for us to figure out for ourselves?

Really, the only character who I kinda liked was Clifford. Sure, he was pathetic. But he knew it. He knew that he was, quite literally, the last of a dying breed. At the same time, though, he had a detached sort of irony, and that great British gift of understatement. You got the feeling that he was smart, and maybe even had a sense of humor. Who knows, perhaps this character would have seemed more terrifying back in the day, back when the British aristocracy was still kind of a threat to someone.

Oh yeah, and that one scene where we're really supposed to hate him? The one where his wheelchair gets stuck up on the hill? I actually felt kinda sorry for him there.

Ultimately, I'll say this about Lady Chatterly's Lover - I like what Lawrence was trying to do, but I don't really feel like he pulled it off. He makes some valid points about getting in touch with our physical, emotional, and spiritual natures. However, this gets obscured by some of his personal prejudices, as well as his total lack of understanding about women and their anatomy.



Rating: 1 out of 5 stars - Didn't make it pass the 16th page
I wasted my money and time on this book. It was a painful read. It was boring, dry and not very entertaining. How in the world did this book get turned into a movie. I hope the movie is a lot better than the book. I will find out.




 





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by Dolly Parton, Judith Sutton
$6.99

Average customer rating: 5.0 ISBN: 0064434478
The rolling hills of Tennessee farmland, framed in lovely patchwork quilt patterns, set the stage for Dolly Parton's (of Grand Ol' Opry fame) warm childhood memories. The text comes directly from Parton's autobiographical hit country and western song of the same name. Perhaps the grammar is imperfect, but what C&W song ain't rife with grammatical errors--it's part of the vernacular. The story centers on a poor, but happy and loving, family (yes, they do exist) who find clever ways to deal with their poverty. As winter approaches, Mama sews a coat for her daughter from a box of scraps that someone has given her. Of course her classmates make fun of her for having a coat made of rags. But sticks and stones... "And although we had no money / I was rich as I could be / in my coat of many colors / that Mama made for me." That doesn't mean the child's feelings aren't hurt, or that she didn't feel angry. But the message comes through loud and clear (like Parton's voice): the child's mother has provided her with the strength to deal with other children's jeers, and family love can sometimes be enough to pull a person through.

by Dolly Parton

Average customer rating: 4.5 ISBN: 0061092363

by Willadeene Parton, Dolly Parton

Average customer rating: 4.5 ISBN: 1558534040
$39.99



The trend toward interactive video games—with an emphasis on "active"—is a welcome one for parents and kids alike. Play TV Baseball 3 is an updated version of the earlier version of the virtual reality game, with loads of realistic touches that will have baseball fans jumping off the sidelines and into the game. Simply plug the base into your TV or VCR, pick up the wireless bat, and play ball! Play against a friend or choose from one of 12 teams. Rules are the same as regular baseball, whether you’re at the plate, on the mound, or in the field: swing away for a home run, lay down a bunt to advance base runners, steal a base, strike out the batter with six different pitches (fastball, curve, screwball, slider, splitter, or change up), or field the ball and choose which base runner to throw out—or maybe you’ll turn a double play! Entertaining music and commentary included. Games need never be called on account of rain again! For 1 to 4 players. Six AA batteries required (not included). --Emilie Coulter
$9.97



This decade-spanning compilation charts the singer-dancer-actress's transformation from rebellious teenager to sexy diva, along the way check-listing major hits like "Nasty," "Miss You Much," "What Have You Done for Me Lately?" and "Rhythm Nation." Two new tracks bookend the set, but even the older material--most of it helmed by writer-producers Jimmy Jam and Terry Lewis--holds up remarkably well. --Courtney Kemp
$9.97



Why is Janet Jackson's Janet the best Michael Jackson album since Thriller and the best Madonna album since..., well, since ever? Perhaps it's because Michael's kid sister is the only one of these three aerobic video stars with enough smarts to realize that sex, hooks, and beats are all that matter in this field of lightweight dance pop. Or perhaps it's because the sexuality Janet radiates through her sweet melodies and hip-tugging grooves is so much more credible than Michael's arrested prepubescence or Madonna's nothing-personal-just-business comeons. After her embarrassing posture as a sociocultural analyst on 1989's Rhythm Nation 1814, Janet has returned to her strength--using her odd mix of girlishness and maturity to make dance numbers about personal relationships ring exceptionally true. Even so, the 75-minute, 27-track Janet doesn't really work as an album; there's too much filler and the between-song transitions quickly grow tiresome. The album is full of killer singles, though, starting with such proven cuts as the extremely slinky "That's the Way Love Goes" and rock-guitar-driven "If," and featuring such future hits as the Prince-like "This Time," the Motown-like "Because of Love," the breathy ballad "Where Are You Now" and the inspired Stax cover, "What'll I Do. --Geoffrey Himes
$7.97



Picking up where the breakthrough funk-pop of Control left off, Janet Jackson and her production team of Jimmy Jam and Terry Lewis laced Rhythm Nation with high-minded references to societal ills--seldom the favored province of dance music, but a daring attempt nonetheless. Songs like "State of the World" and "The Knowledge" follow in the tradition of "free your mind and your ass will follow." Still, aside from the title track, it was the pure pop fare and dance music that stormed the charts: "Escapade," "Love Will Never Do (Without You)," "Alright," and "Come Back to Me" concentrate on the politics of personal relationships, not public policy, while "Black Cat" burns the place down with a fierce burst of hard rock. Rhythm Nation 1814 doesn't necessarily hang together thematically, but it's so chock full of hits, you scarcely notice. --Daniel Durchholz



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