Books : Just Like Candy


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Books : Just Like Candy


  

Just Like Candy

by: Kimberly Kaye Terry




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Binding: Paperback
Dewey Decimal Number: 813.6
EAN: 9780758222497
ISBN: 0758222491
Label: Aphrodisia
Manufacturer: Aphrodisia
Number Of Items: 1
Number Of Pages: 304
Publication Date: January 01, 2008
Publisher: Aphrodisia
Studio: Aphrodisia



Editorial Review:

Product Description:
Davis Strong has no business lusting after the new director of the Youth Centre his aunt has hired. But who can resist a woman named Candy? He wants to make love to her luscious lips, caress her smooth and creamy skin, and savour her mocha-coloured body. Only then will he get the dessert he's been waiting for - a taste of her sweet, hot centre...It isn't fair that one man should consume her thoughts the way Davis Strong does. But no man does it for her like this one. At night, alone in her bed, Candy dreams about her lover, lying beneath his rock hard body, naked and exposed, begging him to touch her, to taste her, to fill her. It's the ultimate sexual fantasy and Candy's ready for the real thing...









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Customer Reviews
Average Rating:  out of 5 stars

Rating: 3 out of 5 stars - Just Like Candy
He's successful, a single parent with a thriving company, and has no time for flighty women. Why he's unable to get "Candy" out of his mind is a mystery to Davis Strong. What adult woman calls herself Candy and wears clothing more appropriate for a teenager. Candy prides herself on her individualistic nature, she doesn't conform to society's expectations of how she should act, dress or behave. As a directory for a youth center she's always there for the parents and children of the center.

When the father of one of her students comes to her for help with his bi-racial daughter she's more than willing to assist the man who's been the star of her steamy midnight dreams since she first laid eyes on him. Too bad he thinks she's all wrong for the center, for the girls she mentors and especially for him.

As opposite as they are in nature, what they do have in common is their unstoppable chemistry, one that won't be ignored or denied. Davis and Candy together are a match made in explosive heaven and one that has a promise of something more if they let it.

Sexy yet lackluster are the words I would use to describe Just like Candy, a tale about two opposing personality types who find a common thread in their combustible passion. In the throes of a crisis with his daughter, Davis is trying to fight his uncomfortable attraction to a woman who leaves him panting like a teenage boy with the onset of puberty. Candy is flashy and adventurous but with that also comes her experience and direction with the young children she works with. Unconventional is what I would call the couple Kimberly Kaye-Terry has created. The backdrop of the plot about Davis' past adds a slight depth to the storyline that outside of passion lacked any substantial storyline. I would really like to see this author raise the bar with her plots and create stories with more substance and not just fluff.

Indy
reviewed for Joyfully Reviewed



Rating: 4 out of 5 stars - Nice story.
This is a nice read . This is the first book that I have read by this author and it was enjoyable . There were a few typographical errors and some plot points that were a bit thin it was a nice storyline. I will definately read more of her work.



Rating: 5 out of 5 stars - hot! hot! hot!
Believe me when i say, when you start reading you wont want to put the book down because you gonna itch to know what happens next. Each page is as enticing as the first. Guaranteed to make you sad, happy, horny throughout the book. You won't regret it. Go fofor it



Rating: 5 out of 5 stars - Sizzling Page Turner
Kimberly Kaye Terry is a romance writer through and through. There was a definite romance between the hero and heroine that was believable. I cared about them and their struggles. And the level of the eroticism was perfect. I couldn't wait to get back to the story as I commuted to work. This was my first book by her, but I have to add her to my list. She did a good job.




Rating: 5 out of 5 stars - defiant five
the cover alone is worth the five stars but i liked the stuff between the covers too. i read romance to escape and to live vicariously through the characters. i would never have the guts to carry on the way Candy and her man did but if the man on the cover showed up at my house i'd bet i'd be tempted to. this book was a guilty, dirty pleasure of the best kind.




 





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Sales of semiconductors in November indicate that consumer products such as LCD (liquid crystal display) TVs, digital music players, and other devices sold well during the holidays, the Semiconductor Industry Association (SIA) said Monday.

November chip sales rose 2.3 percent year-on-year to $23.1 billion, the SIA said.

Unit demand has far outpaced last year. But falling chip prices have hurt industry revenue, the chip association said. For example, DRAM (dynamic RAM) bit shipments grew 25 percent in the three months through mid-December, but average selling prices have declined 20 percent over the same period.

The association also noted that rising energy prices and concerns about the sub-prime lending issue in the U.S. do not appear to have had a significant impact on consumer spending for the holidays, the SIA said. The group reiterated its forecast that worldwide semiconductor sales will reach a new record in 2007. But it will take a stronger than expected December selling season to reach the 3.8 percent growth goal the group had forecast earlier this year, the SIA said.

Investment banking firm Credit Suisse was not as optimistic as the SIA.

The November data was below normal seasonal trends, noted analyst John Pitzer, in a report on Monday. Even if December reaches its normal seasonal growth, 2007 industry revenue will only reach $255.7 billion, up 3.2 percent over last year. The growth percentage would fall short of the SIA's 3.8 percent target.

The slow November prompted Credit Suisse to lower its 2008 chip industry revenue forecast to 9.4 percent year-on-year growth, down from a previous target of 13 percent.


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Filmmaker Robert Zemeckis topped his breakaway hit Romancing the Stone with Back to the Future, a joyous comedy with a dazzling hook: what would it be like to meet your parents in their youth? Billed as a special-effects comedy, the imaginative film (the top box-office smash of 1985) has staying power because of the heart behind Zemeckis and Bob Gale's script. High schooler Marty McFly (Michael J. Fox, during the height of his TV success) is catapulted back to the '50s where he sees his parents in their teens, and accidentally changes the history of how Mom and Dad met. Filled with the humorous ideology of the '50s, filtered through the knowledge of the '80s (actor Ronald Reagan is president, ha!), the film comes off as a Twilight Zone episode written by Preston Sturges. Filled with memorable effects and two wonderfully off-key, perfectly cast performances: Christopher Lloyd as the crazy scientist who builds the time machine (a DeLorean luxury car) and Crispin Glover as Marty's geeky dad. --Doug Thomas

Critics and audiences didn't seem too happy with Back to the Future, Part II, the inventive, perhaps too clever sequel. Director Zemeckis and cast bent over backwards to add layers of time-travel complication, and while it surely exercises the brain it isn't necessarily funny in the same way that its predecessor was. It's well worth a visit, though, just to appreciate the imagination that went into it, particularly in a finale that has Marty watching his own actions from the first film. --Tom Keogh

Shot back-to-back with the second chapter in the trilogy, Back to the Future, Part III is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Marty ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of gunman Buford "Mad Dog" Tannen (Thomas F. Wilson, who had a recurring role as the bully Biff). Director Zemeckis successfully blends exciting special effects with the traditions of a Western and comes up with something original and fun. --Tom Keogh

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Set in a frontier world of bonnets and one-room schoolhouses, Love's Enduring Promise follows a headstrong young teacher named Missie (January Jones, Bandits), the daughter of Clark and Marty Davis (Dale Midkiff and Katherine Heigl) from previous prairie romance Love Comes Softly. After Clark injures himself in a woodcutting accident, the family farm is in danger of failing--until a handsome young stranger (Logan Bartholomew) helps out. Missie finds herself drawn to this man, but the intelligence and graciousness of young railroad magnate (Mackenzie Austin, How to Deal) appeals to a side of her that yearns to go beyond the hills and valleys of her childhood. What could be romantic froth becomes a quiet, well-paced, and thoughtful love story, thanks to a solid script, capable performances, and clean direction. Jones is particularly engaging; Missie could have been blandly virtuous, but Jones draws a rich and subtle range of emotions out of her scenes. Religious viewers will appreciate the movie's commitment to wholesome storytelling and clear moral perspective. Love's Enduring Promise, like Love Comes Softly, is based on a novel by Christian writer Janet Oke, though Love's Enduring Promise departs more from its source. --Bret Fetzer
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What sounds like the high-concept romantic comedy pitch from hell--widower president falls for smart lobbyist while the world watches--is actually intelligent, charming, touching, and quite funny. Granted, it's wish fulfillment all the way (when was the last time you saw a president who was truly presidential?), but in the capable hands of writer Aaron Sorkin (TV's Sports Night) and director Rob Reiner, The American President is incredibly enjoyable entertainment with quite a few ideas about both romance and the government. Michael Douglas stars as the president, who after three years in office starts thinking about the possibility of dating. When he auspiciously encounters cutthroat environmental lobbyist Sydney Ellen Wade (Annette Bening), sparks begin to crackle and the two begin a tentative but heartfelt romance. Of course, his job gets in the way--their first kiss is interrupted by a Libyan bombing--but darn it if these two kids aren't going to try and make it work! However, they hadn't counted on the president's Republican antagonist (Richard Dreyfuss), who starts carping about family values. The predictable plot--Douglas finally goes to bat for his lady and his country--is leavened by Sorkin's wonderful, snappy dialogue and a light touch from the usually subtle-as-a-sledgehammer Reiner. Both manage to create a believable White House-office atmosphere (with a crack staff including Martin Sheen, Michael J. Fox, Anna Deavere Smith, and Samantha Mathis) as well as a plausible and funny dating scenario. The true success of the movie, though, rides squarely on Douglas and Bening; this is unequivocally Douglas's best comedic performance (ergo his best performance, period) and Bening, usually such a good bad girl, takes a standard career-woman role and fleshes it out magnificently. You can see in an instant why Douglas would fall for her. One of the best unsung romantic comedies of the '90s. --Mark Englehart

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The tagline emblazoned across the top of this latest WWF album's cover reads, "All New WWF Superstar Themes That Rock!" And on any compilation where songs by Limp Bizkit and Marilyn Manson are unremarkable for their fast pace and fury, it can be safely said that all of the songs do "rock!" Careful work has gone into matching songs to the performers, and the opportunity to listen to this album outside the context of WWF shows means that a fan can live the fantasy any time he chooses, all day long. Even Vince McMahon's theme strengthens the role he plays in the WWF's plot: Dope's "No Chance" talks in the first person about a stupidly angry boss, and connecting McMahon with this song is smart because everybody hates their boss on some level, and this song only reminds the listener of McMahon's part in the drama. Along with "No Chance," some of the other numbers on Forceable Entry are new covers or remixes of wrestlers' theme songs. Here, this generally means a new version with dirtier guitar work throughout it. This will only bother the listener if he was really attached to the original version of one of the themes, such as Chris Jericho's "Break the Walls Down" (Sevendust), or Undertaker's "Rollin'" (Limp Bizkit). Regardless, if you know the songs played upon the entrance of these wrestlers, then you know which themes you like and which ones you don't--and you know whether or not you need this album. --Mark Huntsman



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