Books : Henri Cartier-Bresson: The Man, The Image & The World: A Retrospective


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Books : Henri Cartier-Bresson: The Man, The Image & The World: A Retrospective


  

Henri Cartier-Bresson: The Man, The Image & The World: A Retrospective

by: Peter Galassi, Jean Clair, Claude Cookman, Robert Delpire, Jean-Noel Jeanneney, Jean Leymarie, Serge Toubiana




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Binding: Paperback
Dewey Decimal Number: 779.092
EAN: 9780500286425
ISBN: 0500286426
Label: Thames & Hudson
Manufacturer: Thames & Hudson
Number Of Items: 1
Number Of Pages: 432
Publication Date: November 27, 2006
Publisher: Thames & Hudson
Studio: Thames & Hudson



Editorial Review:

Product Description:
'A definitive catalogue….Once Cartier-Bresson photographed something or someone, you might as well have retired them as subjects.'—Newsweek

Henri Cartier-Bresson was one of the finest image makers of our time. His extraordinary photographs were shaped by an eye and a mind legendary for their intelligent empathy and for their unerring ability to get to the heart of the matter.

This sumptuous collection of work by Cartier-Bresson is the ultimate look at his achievements. The book brims with classic photographs that have become icons of the medium, as well as rarely seen work from all periods of Cartier-Bresson's life, including a number of previously unpublished photographs and a generous selection of drawings, paintings, and film stills. The book also features telling personal souvenirs of his youth, his family, and the founding of Magnum.

This definitive collection of a master photographer's work will be an essential book for anyone interested in photography—indeed, for anyone interested in the people, places, and events of the past century. 600+ illustrations in color and duotone.

Amazon.com Review:
Henri Cartier-Bresson spent four decades traveling the world as a photojournalist in search of what he called 'the decisive moment'--the instant when visual harmony and human significance coalesce. Published in honor of his 95th birthday, Henri Cartier-Bresson: The Man, The Image & The World is a handsome volume that reproduces more than 600 photographs, film stills, and drawings and includes essays by art, photography, and film experts. Trained as a painter in his native France, Cartier-Bresson began his photography career during a trip to the Ivory Coast in 1931. After shooting his way through Europe, Mexico and the U.S., he became an assistant to filmmaker Jean Renoir and directed documentaries in support of the Spanish Civil War. Imprisoned by the Germans during World War II, he escaped to document the liberation of Paris. More than a quarter-century of magazine photography followed—-including vivid glimpses of modern life in India, China and the Soviet Union—-before he put aside his camera in favor of his sketchbook. Cartier-Bresson's ability to capture peak moments resulted in unforgettable single photographs, like that of a woman in a group of former concentration camp prisoners who suddenly recognizes her Gestapo informer and reaches out to hit her. His constant watchfulness led to images that capture fleeting emotion—-lust, pride, despair, expectation, glee—-on the faces of people going about their daily lives in grim cities, sleepy villages, and vast landscapes. Shaped by compassion and a self-effacing absence of personal judgment, these photographs reflect a worldview no longer fashionable but forever relevant to human understanding. —Cathy Curtis









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Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - The overview or cyclopaedia of this master. Buy it!
I admire and love Henri Cartier-Bresson so much, the master not only in Photography, but also in the history of humanity. I believe in Buddhism so much. And So does Cartier-Bresson.

Cartier-Bresson spread his humanity and the love of the life to the whole world during not only the past 100 years, but also the years we will have.

Photography is just a kind of art to normal an artist. To Cartier-Bresson, it is the artless art.

Regarding this book, it is my first one about Cartier-Bresson, and I decide to buy more after I enjoyed this book.

If you are new to Cartier-Bresson, buy this one without hesitation. You will fall in love with the master just as I did.

If you know well about Cartier-Bresson, buy this one also. It is an overview of the master. You can get the information you need just in one book.

If you are an adorer of Cartier-Bresson, buy this one as a must. Do not need to say why, because it is about Henri Cartier-Bresson.

All in all, buy this book. Read, feel, and enjoy. Not only the photography, but also the life.



Rating: 4 out of 5 stars - Poor quality reproduction of photographs
The book is a testimony to the capabilities of Henri Cartier-Bresson as a photographer. With limited equipment, a camera and only one lens, he managed to capture an amazing range of emotions and phenomenon. Cartier-Bresson's work, which is amply documented in this book, also provides an example of "available light" photography.

My one complaint is the quality of reproduction of the photos is somewhat poor, though I am not sure whether this could have been remedied by the publishers



Rating: 5 out of 5 stars - A must if HCB is your cup of tea!
I put off buying this book as long as I could and eventually I did, having in the meantime manhandled book store copies. It is difficult to get too much HCB and this offers a lot in one package.

I take minor exception to HCB as elevating photography to art -- he is more often described as someone who turned his hobby into an art form, albeit it was a hobby informed by artisitic sensibility. The incomparable Eastman House in Rochester has examples that go back to the earliest days of photography as art. But the 20th century was crowded with photographic art. HCB's eminence in the PostWar recognition of Photography as Art by such places as MOMA is a given. (he preferred the small a).

The number of photographs included is for me in this book is an asset, providing a broad look at the stupendous body of work done by HCB during his long career.

In the 1950s and early 60s, the greatest influence on young photojournalists came from "This Is War" by David Douglas Duncan, published in 1951 and "The Decisive Moment" in 1952, which took its title from HCB's text. The Verve edition used a different title, i.e. "Images à la sauvette" which translates to "pictures on the run."

Robert Capa suggested to HCB that he call himself a photojournalist and later the two would join in forming Magnum, the first and greatest photo agency. From that came the inaccurate sometime sobriquet of " Father of Photojounalism."

HCB's work received the earliest important recognition from Americans and his exhibitions and books always received a warm reception. Had he been an American, his political views might have ensnared him in the hysteria of the 50s.His individual perspective was as strong as one might expect from someone who spent three years in a Nazi prison. After the war's bitter experiene, HCB's work became much more humanist.

In France his acceptance as an artist does not fully reflect the merits of his work. The US has accepted the work of HCB and Eugene Atget at a level that the French art establishment did not -- although he did have support that matters. One reason cited is that HCB objected to the "fetishistic attitude" toward original prints.

HCB's darkroom work was done by skilled technicians. Berenice Abbot promoted the merit of Atget's work with her own prints from the thousands of negatives she brought back to the US.

That is a point on which HCB was entirely right. Some earlier vintage prints of his work is not all that good. HCB recognized that for his genre, a skilled darkroom craftsman could both satisfy his esthetic judgments and replicate his work over and over. What he could control was how many "authorized" images there were.

A gigantic HCB exhiition at the Bibliotheque Nationale de France several years ago was pectacular -- the BNF chosen because it would gladly work with HCB and his wife. That was a rare opportunity that had to be taken. You don't think much about the print, but rather what an eye HCB has for the moment.

There are certainly photographers who marry their eye to theirr work in the darkroom. HCB did not see it that way.

This book is perfect for me, but others less familiar with HCB's work might be better off with one of his books on a theme, e.g. Paris, etc.

















Rating: 5 out of 5 stars - Creo que el mejor libro de Cartier Bresson
Fantástico libro de fotografías que recoge muchas de sus épocas como fotógrafo.
Fotos de Barcelona,Madrid,Valencia,Paris.Berlin....
Una auténtica maravilla.
Si te gusta la fotografía,no debes dejar escapar este libro



Rating: 5 out of 5 stars - This book is amazing!
A great retrospective of his incredible photography. I just got it for Xmas and LOVE it!




 





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Alienware's flagship gaming laptop, the Area-51 m9750, has plenty of appeal for high-end gamers, but the alien head aesthetic seems dated, and newer components are right around the corner.

The rise and fall of muni-Fi (and rise again): Clearly, the largest story involving Wi-Fi in 2007 was the at-first continued growth in cities awarding contracts with no money involved on their part to have service providers build Wi-Fi networks--and the subsequent failure of these networks to be built. Starting quietly in late 2006, the market shifted for metro-scale Wi-Fi. During 2007, providers decided that bearing the full cost of a city-wide network without city contracts wasn't financially sensible.

The full scope of the low uptake rates in cities that had large portions of the network built out also became clear: rather than 15 to 35 percent of residents subscribing, just a few percentage points would put a network in the top tier. Revenue is apparently also pretty minimal even in cities like Taipei, Taiwan, the network provider for which was predicting 250,000 subscribers by the end of 2006, and had just 30,000 regular users each month at last public report in early 2007.

MetroFi started to tell cities that without an advance service commitment at a minimum level -- an anchor tenancy -- the company couldn't proceed on networks. In 2007, MetroFi lost half a dozen bids or saw contracts canceled due to this change. Its work in Portland, Ore., the biggest network it was building, won't be extended beyond current limited dimensions until additional capital or a city commitment is obtained; the city has said it won't commit to service fees, however.

Meanwhile, EarthLink lost its CEO Garry Betty in January due to cancer. A strong backer of new initiatives to change EarthLink's core business, his death was certainly one of the causes in a quick re-evaluation of the municipal wireless division. New CEO Rolla Huff pulled EarthLink out of new deals, suspended existing ones, laid off hundreds of employees while gutting the metro Wi-Fi division, and appears poised to leave currently built or underway networks, including their flagship Philadelphia effort. They may sell the division, but it's hard to see much worth in it given the current state.

In a smaller bit of news, Kite Networks, formerly known by various names, was sold by parent MobilePro to Gobility with conditions that according to SEC filings by MobilePro weren't met. Kite was once high flying, in the company of EarthLink and MetroFi as one of the major U.S. Wi-Fi network builders. Now it's still in that company, with work on its Arizona networks apparently halted. A suitor has emerged in the form of a regional telecom that specializes in the Hispanophone market (double entendre intended), and which thinks it could boost Tempe subscriptions from the current several hundred to about 300 times that number. Hope springs eternal.

And while AT&T was able to launch a Riverside, Calif., network with MetroFi handling the installation and operation, it backed out of St. Louis, Mo., due to a utility pole problem, and the bidding in Chicago, too. The Metro Connect consortiums in Sacramento and Silcion Valley were unable to raise financing despite the apparent blue-chip participation by Cisco, IBM, and Intel.

County-wide Wi-Fi was also hit again and again by providers who pulled out--CenturyTel in Pierce County, Wash., for instance--or problems with technology or utility poles. In a few scattered areas, Wi-Fi across counties has been built out, but it's not an idea whose time has yet come.

Muni-Fi isn't down for the count. While these high-profile networks in large cities and county-wide networks have mostly hit the skids, more modest networks with well-defined goals continue to be built with a focus on public safety and municipal uses in hundreds of small and medium-sized towns. Brookline, Mass., may be a good example, in which a public safety/public access network was built relatively quickly and with no reported problems.

And there's one big city success story: Minneapolis, Minn. While local provider US Internet wound up spending more than they'd intended, reports from the ground indicate that service works quite well, and subscriptions and interest are quite high. The company was able to respond almost instantly to the bridge collapse a few months ago by deploying additional mesh infrastructure to add network capacity in the area. And it says that it could reach positive cash flow in early 2008. One of their advantages? They secured a substantial commitment from the city for the services they built.

Other trends of the year gone by: Music and Wi-Fi are clearly more aligned, with the new Zune models and firmware from Microsoft allowing wireless sync (but not yet Wi-Fi purchases), and the introduction of both the Apple iPhone and iTunes touch, which allow music purchases over Wi-Fi but not synchronization. (While the MusicGremlin preceded both the Zune and iPhone/iPod options, it didn't seem to gain any market traction in 2007.)

Security continues to be a concern in 2007, although less of one as home users have clearly accepted WPA Personal, at long last, and networks are increasingly encrypted through better software from major hardware manufacturers. Wizards make encryption a no-brainer, when they work. Corporations stung by reports and by requirements from credit card issuers are also clearly protecting their networks better, although I'm sure we'll still see breaches at those firms that didn't cross every "t."

The 802.11n standard's emergence into an interim certified Wi-Fi state was also a significant milestone for faster wireless networking. Shipments of Draft 802.11n products in 2007 increased significantly, while prices dropped so much that it makes perfect sense to purchase a $50 to $80 Draft N router than a comparable G unit. Manufacturers made it clear as the year progressed that hardware sold today should generally be firmware upgradable to whatever the final, not much changed 802.11n standard is when approved in 2008.

Gadget-Fi continued on the rise, as an increasing array of devices included Wi-Fi as a connectivity option. Most notably, T-Mobile launched its HotSpot@Home service, the largest scale offering of converged cell/Wi-Fi calling. By year's end, they had four handsets for sale--two plain, a BlackBerry, and a clamshell--but subscriber numbers are unknown.

What's coming in 2008?

In-flight Internet (over Wi-Fi): 2008 is finally the year. It was supposed to be 2005. Or maybe 2002. But we should see a number of planes, mostly flying over the U.S., equipped with either in-flight Internet access or in-flight text messaging and text email. Connexion by Boeing's failure fortunately didn't discourage a half a dozen competitors who were in the R&D phase when Boeing wrote off its satellite-based Internet access venture.

AirCell, Row 44, OnAir, Aeromobile, Panasonic Avionics, and a T-Mobile consortium are among the announced or nearly announced firms with commitments or trials underway. AirCell and Row 44, focused on the U.S. market, plan to deliver Internet not voice to fuselages; OnAir and Aeromobile are working on mobile-based services, including voice, via existing cell phones and devices.

In 2008, American, Alaska, and Virgin America will launch trials over the U.S., and potentially move into production. OnAir should be expanding in Europe beyond the single French aircraft that's equipped in a trial now to RyanAir's fleet. And Aeromobile's Qantas trial could turn into real usage. There's likely action that will happen in Asia and the Middle East, too, that's not yet disclosed.

Other trends to watch

Wi-Fi in every smartphone with better integration. The iPhone was the leading edge, pun intended, offering 2.5G EDGE cell networking as part of the subscription price, along with seamless roaming to Wi-Fi networks. With RIM finally offering BlackBerry models with Wi-Fi, it's unlikely that any future smartphone model intended for serious users would lack the option.

Wi-Fi everywhere. Despite the setbacks in municipal Wi-Fi, wireless networks continue to expand, with better and better coverage found across larger areas and more locations. 2008 might be the year of hotspot saturation.

WiMax arrives. In 2008, we'll finally see production mobile WiMax in action in the U.S., and the questions about whether it works well enough and fast enough at the right price to beat current generation cell data networks, and make money for the disorganized Sprint Nextel will be answered. More certainly, Clearwire, with WiMax as its only option, will push aggressively to steal customers away from fixed, wired broadband, especially in markets with little competition.

Gadget-Fi a go-go. Wi-Fi will become an expected part of gaming consoles (already found in a few), cameras (found in crippled form in just a handful), regular cell phones (in dozens and dozens now), and music players (with more full functionality).






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You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam Graham
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The teaming of Johnny Knoxville (Jackass: The Movie) and Seann William Scott (Dude, Where's My Car?) as well as the presence of the '70s-flavored car chases that were a specialty of the TV series guarantees that The Dukes of Hazzard will be even more lowbrow than the CBS TV series (1979-85) that inspired it. However, this brain-damaging comedy is more "rehash" than "remake," as good ol' Georgiaboys Luke Duke (Knoxville) and his cousin Bo (Scott) are frequently upstaged bythe General Lee, the Confederate-flagged '69 Charger that they drive, jump, race, and fly in as they smuggle moonshine for their Uncle Jesse (Willie Nelson). Meanwhile, cousin Daisy Duke (Jessica Simpson) is reliably available to model her short-shorts (aka "Daisy Dukes") and awesome figure (and let's face it, Simpson's talents pretty much begin and end right there), while corrupt honcho Boss Hogg (Burt Reynolds, who should know better) recruits a local NASCAR star to advance his wily scheme of converting Hazzard County into a strip mine. Director Jay Chandrasekhar (Super Troopers) manages to mine some good-natured humor from the movie's oval-track detour and a few colorful supporting players (notably Kevin Hefferman as the Duke's pal Sheev). Otherwise, consider yourself warned: The Dukes of Hazzard is shameless Hollywood product at its most forgettable, trafficking in shameless white, rural Southern stereotypes. If you can make itto the end, there's a blooper reel to reward your endurance. --Jeff Shannon

DVD features
Yes, the unrated edition of The Dukes of Hazzard has nudity... but no, it's not of Jessica Simpson, but topless sorority girls. There are also two sets--"PG-13" and "unrated"--of deleted scenes and bloopers. The four minutes of unrated deleted scenes (supplementing the 25 minutes of "PG-13" deleted scenes) include more sorority girls and a menage à trois for Johnny Knoxville . The five minutes of unrated bloopers (the same amount as the "PG-13" bloopers) feature a few more girls but mostly bad language. Featurettes discuss the Daisy Duke short shorts (and show how you can make your own), car stunts, and the making of the movie (narrated by a cast member of the original TV series). --David Horiuchi


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